torsdag den 7. juli 2016

Lebanese painters


A collective exhibition featuring the works of four Lebanese painters — Zeina Badran, Fatat Bahmad, Ali Chams, and Issa Halloum — opened at the Hamazkayin Lucy Tutunjian Art Gallery on 12 December 2013, at 7:00 p.m. The exhibition is being held under the patronage of H.E. Mr. Nehmé Tohme, Member of Parliament.


 







the world has become so small that you can actually know all those you meet, if you will. No person is longer "a stranger", unless you explicitly want it that way. The world is you. Grab life in the world and live a good life.

Walid Siti


Walid Siti /Biography
Walid Siti was born in 1954, in the city of Duhok, in Iraqi-Kurdistan. After graduating in 1976 from the Institute of Fine arts in Baghdad, Siti left Iraqto continue his arts education in Ljubljana, Slovenia before seeking political asylum in 1984 in the United Kingdom where he still works and lives. Formerly trained in printmaking, Siti works extensively in a variety of mediums including, installation, painting and work on paper.

His work developed in response to the ongoing upheaval of conflict and processes of transformation prevalent in the Middle East. Siti takes inspiration from the cultural heritage of his native land that is crisscrossed with militarized borders and waves of migration. Mountains, stones and historic cultural elements feature prominently in his work, symbolising collective strength, sanctuary and the power of monolithic forces. Siti’s work increasingly considers the tensions between collective identity, interdependence and its constraints on the individualthrough considerations of heritage, tradition, homes, borders, mobility and migration. These themes have had an imprint on his outlook, and contributed to both his art and life.

Solo Exhibitions include, 2014 Moiz Zilberman Gallery, Istanbul, “New Babylon” . Edge of Arabia, London, “Reconstruction”. Taymour Grahne Gallery, New York, NY “Parallel Realms”. XVA, Dubai, ‘ Rite of Passage’. Taymour Grahne Gallery, New York. XVA Gallery, Dubai. 2013 Amed Art Gallery, Diyarbakir, Turkey, 2011 Rose Issa Projects, London. XVA Gallery, Dubai. Merg Gallery, Erbil. 2010 Sardam Gallery, Sulaimania. Duhok Gallery, Duhok. 2009 XVA Gallery, Dubai. 2008 Leighton House Museum, London. 2004 Salman’s Gallery, Duhok. 2002 Arcola Gallery, London. 2001 Oriel Canfas, Cardiff. 1998 Diorama Gallery, London. 1996 Leighton House Museum, London. 1992 Midland Arts Centre, Birmingham.

Selected Group Exhibitionsinclude,
 2015, ‘Written Cities’part of the Triennial of Bruges, 2014 THE SEVEN VALLEYS, Rose Issa Project, London. Hajj: Journey to Mecca, Museum of Islamic Art, Doha, Qatar, The Paper Show, XVA, Dubai, 3013. “Systems and Patterns”, International Centre of Graphics, Ljubljana, Slovenia, ‘Echoes from Periphery’ Palazzo Granfei-Nervegna-Brindisi, Italy, 54th International Art Exhibition, Pavilion of Iraq, Venice. 2012, “Hajj exhibition” the British Museum, London. 2011, 54th Venice International Art Biennale, Pavilion of Iraq. Take care of yourself, Amed Art Gallery, Diyarbakir, Turkey. 2010, “Taswir – Pictorial Mappings of Modernity and Islam, Martin-Gropius-Bau Museum, Berlin. 2009 PlanetK, The 53rd International Art Exhibition, Venice. “Iraq’s Past Speaks to the Present” at the British Museum, London. “Modernism and Iraq”, Miriam & Ira Wallach Art Gallery, Columbia University in the City of New York, USA. 2008 Permanent art collection, Imperial War Museum, London. Occupied Space 08, Art for Palestine, Qattan Foundation, London. Word into Art, Dubai International Finance Centre. “Space Now”, The Triangle, London. Re-Orientations, European Parliament, Brussels. 2004 Contemporary Arts Society, London. The Museum Hall, Sulaymania. 2003 The National Museum in Cracow, Poland. 2002 The Historical Museum of The City of Vienna. 10th Asian Art Biennale, Dahka, Bangladesh. 2001 International Art Biennale Dialogue, St. Petersburg, Russia. 5th Sharjah International Arts Biennal, Sharjah, UAE.



Public Collection include, The Metropolitan Museum, New York. The British Museum, London. The Imperial War Museum, London. The National Gallery of Amman, Jordan. The World Bank, Washington, DC. Victoria & Albert Museum, London. The Iraq Memory Foundation. Art for American Embassy program, USA. Barjeel Art Foundation, UAE.

Urban Zoo, Art Exhibition by Nadim Karam





Urban Zoo, Art Exhibition by Nadim Karam: Ayyam Gallery Beirut is pleased to present Urban Zoo, a solo exhibition of new paintings and sculpture by acclaimed Lebanese artist, writer and architect Nadim Karam. The exhibition opened on the 29th of August 2013 and will run until the 10th of October 2013.

Nadim Karam uses painting and sculpture to develop his characters and narratives, frequently returning to the symbol of 'The Cloud' to represent freedom and escape in a changing landscape. The artist is renowned for his public sculpture projects which he uses to humanise urban spaces. Karam encourages interaction with the public sculpture he creates; referring to them as Urban Toys, he invites people to consider the space around these surreal forms; to touch and climb them, and adopt them as part of the living cityscape.

On show at Ayyam Gallery Beirut will be a series of crystal pieces, through which Karam further develops the ideas found in his large scale architectural interventions across the globe. Here they are scaled down to provide the viewer an intimate experience with an object, rather than encountering a structure in an expansive urban space. Domestic and functional buttons masquerade as precious stones in the jewelled Queen of Spades (2013) and the iridescent monochrome The Cloud House (2013). Karam tell stories through the brightly coloured, abstracted forms, borrowing from existing mythology and fairy tales.

Karam will also present a series of small scale stainless steel sculptures drawing from his vocabulary of recurring characters and symbols. The figures making up this series are shown in profile and formed from intricate lattice work, giving them a sense of lightness. Dream Girl (2013) has wings in place of arms, lifting them to take flight; in Couple (2013), two joyful figures run in unison, hands entwined; while Elephant (2013) stands proud and unyielding. Forms embedded in the framework of these sculptures invite the viewer to uncover characters and narratives hidden within the larger structure.

Several new paintings by Karam will feature in the exhibition, including paintings based on the emblematic shape of the elephant, and exploring the themes of the ‘Cultural Warrior’ and the ‘Urban Zoo’. A preview of several monumental new sculptures will also be on show in the Piazza of Platinum Tower outside of the gallery for a period of the exhibition; these large-scale sculptures will be a highlight of Karam’s forthcoming show at Ayyam Gallery Al Quoz opening in Dubai on 30 September 2013.


About the Artist
Born in 1957 in Senegal, Nadim Karam now lives and works in Beirut. In 1996, he established Atelier Hapsitus (www.hapsitus.com), a satellite grouping of young Lebanese architects and designers, that seeks to create an original urban vocabulary though large-scale art installation and architectural works for various cities worldwide. Karam’s work has appeared in numerous solo and group exhibitions worldwide, as well as biennales including Venice, Liverpool, and Gwangju. Previous solo exhibitions include: Ayyam Gallery London (2013); DIFC Gate, Dubai (2010); Sultan Gallery, Kuwait (2008); Al-Bustan, Lebanon (2006). Selected group shows include: Institut du Monde Arabe, Paris and Abu Dhabi (2013); Villa Empain Exhibition, Brussels (2012); Chatsworth House (2011), Royal College of Art, London (2011); Running Horse Contemporary Art Space, Lebanon (2011); Katzen Arts Centre, Washington (2010); American University Museum, Washington (2010); Ayyam Gallery Al Quoz, Dubai (2009); Liverpool Independent Art Biennale (2006).
About Ayyam Gallery
Founded by collectors and cousins Khaled and Hisham Samawi in Damascus in 2006, Ayyam Gallery sought to nurture Syria’s burgeoning and dynamic contemporary art scene through landmark non-profit initiatives such as the Shabab Ayyam Project, an incubator for emerging artists. Expansion into Beirut and Dubai enabled Ayyam Gallery to broaden its scope from the promotion of work by Syrian artists to those from the wider Middle East region. In doing so, Ayyam Gallery has established itself as one of the foremost exponents of Middle Eastern contemporary art to the international community.
Today, Ayyam Gallery is recognised as a leading cultural voice in the region, representing a roster of Arab and Iranian artists with an international profile and museum presence, such as Abdulnasser Gharem, Khaled Jarrar, Nadim Karam, Safwan Dahoul, Samia Halaby, Sadik Alfraji, Afshin Pirhashemi and Khaled Takreti. A number of non-commercial exhibitions, as well as the launch of initiatives like The Young Collectors Auction, have further succeeded in showcasing the work of Middle Eastern artists with the aim of educating a wider audience about the art of this significant region. Ayyam Gallery Damascus currently functions as a studio and creative haven for artists who remain in the war-torn city. In early 2013, Ayyam Gallery launched new spaces in London and Jeddah.